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A chance to put yourself in the picture


From 1822 until today – the technology of photography, Cambridge & Great Eastern meeting, March 2007


The earliest known surviving photograph: taken in 1826
The earliest known surviving photograph: taken in 1826

The extraordinary technological progress in photography over the last 184 years was reviewed at a meeting on 13 March 2007 organised by SCI’s Cambridge and Great Eastern regional group as part of the Cambridge Science Festival. At the meeting of over 100 delegates, Tony Kaye detailed the black and white and colour negative positive process, and brought us into the 21st century through describing the concept of colour management in modern digital systems.

Kaye began with an introduction to the history of photography. The generally recognised founder of the process is Nicéphore Niépce who took the earliest known surviving photograph in 1826. The exposure took over eight hours of bright sunlight! Kaye converted this into an film speed equivalent to 0.00001 ISO – typical modern films speeds are 200 ISO.

He then challenged the audience by asking the questions ‘What has changed in photography since 1822? A little or a lot? Are the changes fundamental or not?’There are many similarities. We still use lenses, shutters, sighting aids (viewfinders or screens) and a photosensitive device (whether old-fashioned film or digital CCD chips). He concluded that technology substitution has been the principal change. From this rudimentary start, the technology of photography developed rapidly. A major advance was the development of negative images for printing, patented by William Henry Fox Talbot, in his calotype or talbotype process using silver halide salts.

Racing through the subsequent decades, Kaye addressed the pitfalls and complexities involved in capturing a colour scene, using a film or digital camera, and its conversion into a printed image.

Kaye’s interest in photography and imaging started at the age of 11 with his parents’ Kodak Brownie 127 camera. His first degree was in physics and his doctorate was in astronomy, where he specialised in detecting faint light using photographic materials and photographic materials used in conjunction with image intensifiers. He joined Kodak in 1978 directly from university and has specialised in the negative positive process throughout his career. Recently his interests have broadened to include both digital capture and digitisation of film via scanning.

John Wilkins
Cambridge and Great Eastern Regional Group